Since the onset of the COVID-19 pandemic, all of my conference presentations have taken the form of highly stylised, pre-edited videographic works. Since then, I have become more and more interested in nascent conversations that explore videographic criticism’s potential as a vibrant and legitimate mode of scholarly expression, amassing a considerable portfolio of “video essays” that audio-visualise my research on screen music in the process. As a result of my interactions with this international community of scholars of videographic criticism, I was recently invited to peer-review for [in]Transition: Journal of Videographic Film & Moving Image Studies. I also delivered a masterclass on videographic approaches to the communication of research at Coventry University and published my first video essay in University of California Press’s Journal of Popular Music Studies (33, no. 4).

The following links lead to a representative selection of these videographic works, each of which illustrates a distinct aspect of my research on music/sound’s role in film, television and videogames. Each piece is approximately 20-minutes in duration. Further information on these papers can be accessed under the "Research CV" tab at the top of this page.

​